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Two levels above, in a dressing room behind the stage, the New York City Ballet principal dancer Teresa Reichlen eats a banana and puts on her makeup while listening to Indie Brunch on Spotify. Bags with slippers hang underneath.

A Midsummer Night’s Dream

The mice run up the stairs to the stage level and put on their heads. Hard to breathe.

Hard to see! In the lower concourse studio, parents watch the performance on a monitor though a few take the opportunity to drink coffee and talk. When Marie, in the battle scene, hits the Mouse King with a particularly accurate throw of her slipper, some parents applaud.

Behind the Scenes At the New York City Ballet

While the dancers continue to rehearse, Young heads back to the production office. She calculates the dancers' overtime for the day and responds to several time-sensitive emails from Christopher Zunner, Ailey's PR director. There are casting changes to address and details for next week's tour stop in London to iron out.

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The food in the canteen is delicious, healthy and inexpensive! Tonight is chicken tikka masala, and I also make another large salad. When everyone confirms they are ready, the curtain is closed, and I inform house management we are ready to open the house. On the paging mic I remind everyone what the program is that evening, to check their costumes, that the hats for Members Don't Get Weary are in the upstage crossover, there is one quick-change in the upstage left elevator and that all the ballets will be curtain after bows.

Young checks in with company manager Gregory Stuart, who is monitoring the front of house and the flow of patrons. Once the audience is settled, Young cues house lights to half and makes the VOG "Voice of God" welcome announcements from backstage.

I call the performance, giving cues that trigger the house lights, curtain, music, lights, etc. With the exception of the dancing, nothing happens without me giving a cue ending in 'Go. Revelations is one of Young's top five favorite Ailey ballets—"It is impossible to land on one single piece," she says.

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I like to watch the dancers grow with each role they dance. Each dancer is cast in several roles—one night they are dancing 'Fix Me' and the next they are dancing 'Processional' and 'Sinner Man.

Go Behind the Scenes of the New York City Ballet Through the Lens of Kyle Froman

Ailey and the legacy that I am honored to be a part of. Two Tivoli Garden Youth Guard do a special flower presentation in formal uniform. The show is officially over. The weather is perfect, and I enjoy taking my time to see the smiling people enjoying themselves in what is truly the happiest place on earth.

New York City Ballet's Fall Fashion Gala always gives us a chance to admire the dancers at their most glamorous, and this year was no exception. From premieres of new works by Lauren Lovette paired with designer Zac Posen and Edwaard Liang with Anna Sui , to a sparkling rendition of Balanchine's Symphony in C , to a star-studded red carpet and reception, we had plenty to swoon over, both onstage and off. A quick scroll through Instagram will tell you that astrology and all things witch-y are all the rage. But for paloumpis, who has taught some form of the class since , these practices have been a part of their life from an early age, having grown up in a family of "witches and mystics.

We took paloumpis' class for our " We Tried It " series to see how witchcraft can be relevant to dance artists:. Her blend of retro classic technique with contemporary geometric shaping has influenced the form's aesthetic. She has stewarded the return of brighter variations, re-popularizing dances that seemed to be lost to the history books.

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